2B. At the approximate mid-point of Act 1, something occurs which clarifies to the reader the crime is more complicated than originally thought. Provide hints so the reader can envision possibilities not yet known to the sleuth.
Entering emotional state of the point-of-view character
Character objective: What do they want?
Conflict: What impedes them from what they want?
Motive for antagonism: Some understanding of the other characters’ motivations
Character’s worldview: What belief system is he/she operating in?
Tactic: What actions the character takes in the scene to achieve their objective (remember, dialogue is action)
Turn: Does the character get what they want in the scene? What comes out of the conflict? What causes their emotions to change?
Objective achieved: Yes or no?
Exiting emotional state: If not the opposite of the entering emotional state, it must at least be different